All Fake / Part One
Goswin Schwendinger


Intermediate - Autumn 2009


Open Room 1 [36.G04]
Mondays 2-5pm


 

Colour Photo, investigating the fake as a substitution for the real.

Photography , a tool of private investigation as well as an instigator, an orchestrator for a rehearsed drama.

Usage of a personal camera to alter one's own life towards a false identity through repetitive recordings.

A lifeline of fiction weaves through daily routines, freezes moments of deception and specifies a precise layout for fraud.

Altering the real, not through digital means but exclusively through desire. a sequence of a falsified existence emerges to be rightful.

The notions of space of identity and identity of space addressed and scrutinised. The term's investigation, a culmination in an all encompassing image, constructed according to all things fake.

 

The course, breaking down into themed sessions

 

The Movie, Private Doings, What's Wrong?, Dummies, Dress Rehearsal, More Fake Please, The Fake Gun

 

General understanding for both courses:

 

A fake version of an object may be:

    -more easily available

    -less expensive

    -less dangerous (e.g. a toy weapon or a weapon prop)

    -less heavy

    -not requiring to kill an animal (e.g. meat analogue, imitation fur)

    -legal while the real thing is illegal

    -not requiring a license

 

Image: Course
Student: Kanto Iwamura
    • Session 1: Monday 5th Oct:
    • -Discussion and Development

    •  

    • Session 2: Monday 12th Oct:
    • -Discussion and Development

    •  

    • Session 3: Monday 19th Oct:
    • -Discussion and Development

    •  

    • Session 4: Monday 26th Oct:
    • -Discussion and Development

    •  

    • Session 5: Monday 9th Nov:
    • -Discussion and Development

    •  

    • Session 6: Monday 16th Nov:
    • -Discussion and Development

    •  

    • Session 7: Monday 23rd Nov:
    • -Discussion and Development

    •  

    • Session 8: Monday 30th Nov:
    • -Course Submission

     
  • Enrolled Students
  • Enrique Agudo

  • Kit Kanachai Bencharongkul

  • Stefano Branca

  • Candy Chan

  • Shin Young Chung

  • Artemis Doupa

  • Raha Farazmand

  • Brian Lap Heng Fung

  • Sara Jaafar

  • Nathalie Matathias

  • Shaelena Morley

  • Stavros Papavassiliou

  • Costantino Rivetti

  • Vasundhara Shankari Sellamuthu

  •  

  • *Please note, any students unable to be enrolled in a MS Autumn 2009 course will be prioritised for enrolment for the Spring 2010 term.

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